The Dirty Patrons: Environmental Responsibility And Museum Sponsorship

Authors

  • Laia Anguix-Vilches

DOI:

https://doi.org/10.29311/mr.vi27.4892

Abstract

Over the past two decades, societal pressure over and scrutiny of the ethics of museum funding have grown exponentially, particularly regarding sponsorship from the fossil-fuel industry. This spotlight, fuelled by environmental concerns and accusations of 'greenwashing,' has prompted significant changes in museum/oil company relationships. For instance, protests by climate activists and artists led to the end, in 2022, of the 30- year partnership between BP and the National Portrait Gallery in London. Whilst flagship museums such as the Louvre and the British Museum are still renewing oil-funded partnerships, the evolving landscape suggests a growing environmental responsibility in sponsorship models. In order to facilitate an understanding of the ongoing shift, this article explores the impact of environmental and art activism on museum/fossil-fuel connections. By using mainly primary materials, it emphasises everyday practice over theoretical analysis, encouraging a reflection on museums' links with their sponsors, and highlighting ideas of trustworthiness, accountability, financial independence, transparency, ethical decision-making, and social and environmental responsibility.

Keywords: Museum sponsorship, ethical funding models, institutional critique, museum activism, environmental responsibility.

Author Biography

Laia Anguix-Vilches

Postdoctoral Researcher, Radboud Institute for Culture and History, Radboud University, Nijmegen, the Netherlands.

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Published

22-01-2025

How to Cite

Anguix-Vilches, L. (2025). The Dirty Patrons: Environmental Responsibility And Museum Sponsorship. Museological Review, (27), 156–173. https://doi.org/10.29311/mr.vi27.4892

Issue

Section

Present