Investigating Curatorial Voice with Corpus Linguistic Techniques

Authors

DOI:

https://doi.org/10.29311/mas.v18i2.3175

Keywords:

curation, catalogues, corpus linguistics, British Museum, Dorothy George

Abstract

We seek to demonstrate how corpus linguistic techniques can facilitate a comprehensive account of curatorial voice in a large digitised museum catalogue and hence leverage its value as a resource for generating new knowledge about: curatorial practice; the historical and cultural contexts of curation; and, the content of collections. We worked with 1.1 million words written by the historian M. Dorothy George between 1930 and 1954 to describe 9330 late-Georgian satirical prints. George’s curatorial descriptions were analysed in terms of their typical informational content and with regards to the extent George included interpretation and evaluation in her descriptions. We discuss how results from such analyses can provide a basis for addressing questions about George’s curatorial voice and, more generally, suggest how this approach could benefit museological practice around the production of descriptions and the re-purposing of legacy catalogues for digital access and analysis of collections.

Author Biographies

Andrew Salway, University of Sussex

Andrew Salway is a research fellow in digital humanities working at the Sussex Humanities Lab, University of Sussex. He has 20 years’ experience of developing and applying computational text analysis techniques in interdisciplinary research projects, to improve access to digital media archives and to develop new modes of humanistic and social science inquiry.

James Baker, University of Sussex

James Baker is a Senior Lecturer in Digital History and Archives at the University of Sussex and at the Sussex Humanities Lab. He is a Software Sustainability Institute Fellow, a Fellow of the Royal Historical Society, and holds degrees from the University of Southampton and latterly the University of Kent, where in 2010 he completed his doctoral research on the late-Georgian artist-engraver Isaac Cruikshank.

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Published

04.07.2020

How to Cite

Salway, A., & Baker, J. (2020). Investigating Curatorial Voice with Corpus Linguistic Techniques. Museum & Society, 18(2), 151–169. https://doi.org/10.29311/mas.v18i2.3175

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Articles