Issue | Title | |
Vol 18, No 4 (2020): Open Issue | Who Is Leading the Project? A Comparative Study of Exhibition Production Practices at National Museums in Finland and the Baltic States | Abstract PDF |
Jana Reidla | ||
Vol 17, No 3 (2019): On the Properties of Things: Collective Knowledge and the Objects of the Museum | On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey | Abstract PDF |
Ingrid E. Mida | ||
Vol 17, No 3 (2019): On the Properties of Things: Collective Knowledge and the Objects of the Museum | ‘Permanent Displays’ as Unsettling Layers of Epistemologies, Politics and Aesthetics | Abstract PDF |
Sigrid Lien, Hilde Wallem Nielssen | ||
Vol 17, No 3 (2019): On the Properties of Things: Collective Knowledge and the Objects of the Museum | ‘More like an Arcade’ – The Limitations of Playable Games in Museum Exhibitions | Abstract PDF |
Patrick Prax, Lina Eklund, Björn Sjöblom | ||
Vol 17, No 1 (2019) | Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994 | Abstract PDF |
Maureen Sarah O'Connor | ||
Vol 20, No 2 (2022): Open Issue | Imagining the Brain, Engaging the Body: Designing Visitor Engagement in Science Exhibition Experiments with Art | Abstract PDF |
Anja Johansen | ||
Vol 17, No 3 (2019): On the Properties of Things: Collective Knowledge and the Objects of the Museum | Delight or Disgust? The Afterlife of Anatomical Waxworks | Abstract PDF |
Marla Dobson, Emma Rosalind Peacocke | ||
Vol 20, No 2 (2022): Open Issue | Exhibition Review: Tout Contre La Terre, Museum of Natural History, Geneva, Switzerland, 14 October 2021 – 25 June 2023 | |
Marzia Varutti | ||
Vol 18, No 2 (2020): Open Issue | The Potency of Design in Holocaust Exhibitions. A Case Study of The Imperial War Museum’s Holocaust Exhibition (2000) | Abstract PDF |
Diana I. Popescu | ||
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