Reviving the Paris Thylacines

Museums, Extinction, and Public Environmental Sentiments

Authors

DOI:

https://doi.org/10.29311/mas.v24i1.4425

Keywords:

natural history, extinction, anthropocene, Paris natural history museum

Abstract

This article examines the display of the thylacine (Tasmanian tiger) in Paris, focusing on the Muséum National d’Histoire Naturelle (Museum of Natural History) and its associated spaces. It will argue that museums are important spaces in which the public comes face-to-face with extinction and can grieve species loss. Building on the notion of museums as a repository for public grief, this article argues that a more complex repertoire of emotions is possible (and invited) in contemporary engagements with extinction. Through examining this complex emotional terrain, this article traces shifting political approaches to extinction and museum display in the Anthropocene.

Author Biography

Hannah Stark, University of Waikato

Professor Hannah Stark is Head of Arts at the University of Waikato in Aotearoa New Zealand. She is the author of Feminist Theory After Deleuze (Bloomsbury) and the co-author of The Theory of Love: Ideals, Limits, Futures (Palgrave Macmillan). She has edited Deleuze and the Non/Human (Palgrave MacMillan), Deleuze and Guattari in the Anthropocene (Edinburgh) and, most recently, Extinction and Memorial Culture: Reckoning with Species Loss in the Anthropocene (Routledge).

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Published

22.05.2026

How to Cite

Stark, H. (2026). Reviving the Paris Thylacines: Museums, Extinction, and Public Environmental Sentiments. Museum & Society, 24(1), 182–193. https://doi.org/10.29311/mas.v24i1.4425