Poisonous Heritage: Chemical Conservation, Monitored Collections, and the Threshold of Ethnological Museums

Authors

  • Lotte Arndt Technische Universität Berlin Project researcher "Reconnecting Objects. Epistemic Plurality and Transformative Practices in and beyond Museums",https://www.kuk.tu-berlin.de/menue/forschung/einzelne_forschungsprojekte/re_connecting_objects_epistemic_plurality_and_transformative_practices_in_and_beyond_museums/ Technische Universität Berlin, Institut für Kunstwissenschaft und Historische Urbanistik, Fachgebiet Kunstgeschichte der Moderne

DOI:

https://doi.org/10.29311/mas.v20i2.4031

Keywords:

Toxicity, Colonial Collections, Museum practice, Conservation, Restitution, Pests, Life and non-life boundaries

Abstract

Many of the artifacts collected during the peak of colonization are made from organic materials and vulnerable to being eaten by insects or decomposition from mould. As part of the technical developments of the twentieth century, chemical treatments seemed to provide a viable solution to prevent decay of many collections. A broader awareness of the long-term effects of the employed toxic substances arose only decades later. Based on existing research, and explorative interviews in half a dozen museums in Europe, this text draws connections between the history of colonial collections, the use of chemicals in museum conservation, and the questions raised by shifting conceptions of the role of museums in the light of restitution and access-provision.

Author Biography

Lotte Arndt, Technische Universität Berlin Project researcher "Reconnecting Objects. Epistemic Plurality and Transformative Practices in and beyond Museums",https://www.kuk.tu-berlin.de/menue/forschung/einzelne_forschungsprojekte/re_connecting_objects_epistemic_plurality_and_transformative_practices_in_and_beyond_museums/ Technische Universität Berlin, Institut für Kunstwissenschaft und Historische Urbanistik, Fachgebiet Kunstgeschichte der Moderne

Researcher and curator Lotte Arndt (Paris, Berlin) accompanies the work of artists who question the postcolonial present and the antinomies of modernity in a transnational perspective. As part of the international project Reconnecting Objects. Epistemic Plurality and Transformative Practices in and beyond Museums, she is currently conducting a research project on biocides and the antinomies of curation in ethnographic museums. Between 2014-2021, she taught at the École supérieure d'art et design Valence Grenoble. She is part of the artistic research group On-Trade-Off, co-founder of the online journal Trouble dans les collections, and member of the editorial board of the journal of the Centre d'art La Criée, Rennes. Her PhD research has been published under the title Magazines Do Culture! Postcolonial Negotiations in Parisian Africa-related Periodicals (2047-2012), Trier, WVT, 2016. Among her curatorial projects: Elvia Teotski: Molusma, La Criée, Rennes, Sep 2021; Extractive Landscapes (with Sammy Baloji, Salzburg 2019); Tampered Emotions. Lust for Dust, Triangle France (2018); Candice Lin: A Hard White Body (2017, curated with L. Morin, Bétonsalon, Paris; 2018, with P. Pirotte at Portikus, Frankfurt/Main). Selected publications: Toxic afterlives of colonial collections. Trouble dans les collections, no. 2, September 2021 https://troublesdanslescollections.fr/2246-2/Candice Lin. A Hard White Body (ed. with Yesomi Umolu), Chicago University Press, 2019; Crawling Doubles. Colonial Collecting and Affect (ed. with Mathieu K. Abonnenc and Catalina Lozano), B42, 2016; Hunting & Collecting. Sammy Baloji (ed. with Asger Taiaksev), MuZEE, Galerie Imane Farès, 2016.

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Published

01.11.2022

How to Cite

Arndt, L. (2022). Poisonous Heritage: Chemical Conservation, Monitored Collections, and the Threshold of Ethnological Museums. Museum & Society, 20(2), 282–301. https://doi.org/10.29311/mas.v20i2.4031

Issue

Section

Articles