The Lives and Deaths of an Ethnographic Museum: History, Violence and Curatorial Collaborations in Guinea-Bissau

Authors

  • Ramon Sarró School of Anthropology and Museum Ethnography University of Oxford https://orcid.org/0000-0003-1866-2662
  • Ana Temudo Research Centre for Science and Technology of the Arts, Arts School Catholic University of Portugal

DOI:

https://doi.org/10.29311/mas.v19i3.3825

Keywords:

Ethnographic Museums, History, Guinea-Bissau, Heritage, Photography

Abstract

This article discusses the history of the National Ethnographic Museum of Guinea-Bissau (West Africa) and an exhibition we curated about it in Bissau in 2017, which serendipitously led to its reopening. The Museum, which was created in 1988, had ceased to exist because of a civil war in 1998-99. Thanks to a reconstruction of contact prints in the archives of Bissau, we were able to organize an exhibition and to conduct research on the history of the museum. Methodologically, the article illustrates the potential of photography in museum historiography and revitalization. Thematically, it exemplifies the history of museography in West Africa from the mid-1980s through the 1990s, the role of museums in the creation of national heritage, and, by looking at the present situation of the Museum at stake, the fragile place that ethnographic museums have in the politics of culture in today’s Africa.

Author Biographies

Ramon Sarró, School of Anthropology and Museum Ethnography University of Oxford

Ramon Sarró is associate professor of social anthropologist at the School of Anthropology and Museum Ethnography, University of Oxford. He has conducted fieldwork in Guinea, Guinea-Bissau, Democratic Republic of Congo, and Angola on religion and heritage.

Ana Temudo, Research Centre for Science and Technology of the Arts, Arts School Catholic University of Portugal

Ana Temudo is an artist, curator and museum scholar. She is currently a PhD candidate at the Research Centre for Science and Technology of the Arts, Arts School of the Catholic University of Portugal, where she is conducting the research project “Representational politics of Guinean heritage in Portuguese museums in the transition from colonial to postcolonial period: histories, transits and discourses”, funded by the Foundation for Science and Technology (FCT). Together with Albano Mendes and Ramon Sarró, she is author of the book O Museo Etnográfico Nacional da Guinea-Bissau: Imagens para uma História (Porto: Greca, 2018). anatglima@gmail.com.

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Published

11/01/2021

How to Cite

Sarró, R., & Temudo, A. (2021). The Lives and Deaths of an Ethnographic Museum: History, Violence and Curatorial Collaborations in Guinea-Bissau. Museum & Society, 19(3), 369–381. https://doi.org/10.29311/mas.v19i3.3825

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Section

Articles