Out of Time at the La Brea Tar Pits: People and Other Animals in a Time Capsule of Ice Age Los Angeles
DOI:
https://doi.org/10.29311/mas.v20i1.3798Keywords:
proximity, public park, natural history, fossils, extinctionAbstract
At the La Brea Tar Pits in Los Angeles, proximity to active asphalt seeps blurs the boundary between audience and exhibit and troubles the artificial border between people and other animals. While La Brea exclusively exhibits extinct animal models in the park, leading some visitors to see extinction events as existing at a safe distance, the asphalt continues to entrap contemporary creatures and functions as a change-over-time capsule. Uncomfortably close encounters with the asphalt cue visitors to situate themselves within La Brea’s ecological continuum and convey the urgency of environmental issues at present. Informed by archival research and site visits, this article deploys a non-linear narrative sequence to mirror the muddling of time in the tar pits. La Brea has the potential to decentre human visitors and help them to embrace the obligations of heir and ancestor all at once.
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- FIGURE 1. ‘Seniors at La Brea Tar Pits’, 1967. Courtesy of Los Angeles Public Library Herald Examiner Photo Collection.
- FIGURE 2. Placard on the fence around La Brea’s Lake Pit announces Smilodon as an icon of social distancing. Photograph by author, 8 January 2021
- FIGURE 3. ‘Playground Closed’ warns a temporary sign. The short-faced bear has greeted visitors since the 1930s. Photograph by author, 21 December 2020.
- FIGURE 4. ‘Recent Victim of the Tar Pits’, no date. Courtesy of the Los Angeles Public Library Security Pacific National Bank Photo Collection
- FIGURE 5. Mammoth Family in the Lake Pit. Photograph by author, 21 December 2020.
- FIGURE 6. Tarred Traffic Cones. Photograph by author, 8 January 2021.
- FIGURE 7: ‘Tread Lightly’. Photograph by author, 21 December 2020.
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Copyright remains with the author(s) of the article. This article can be re-used according to the terms of the CC BY-NC-ND 4.0 licence.