On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey

Authors

  • Ingrid E. Mida Ryerson University

DOI:

https://doi.org/10.29311/mas.v17i3.3213

Keywords:

Thing Theory, Object Biography, Wedding Dress, Exhibition, Drawings

Abstract

Clothing is often cherished long after memories have begun to fade and the inevitable process of decay have begun. Such is the case with the silk wedding dress and bridal veil worn by Evelyn Normand Wilkie (1902-1969) in her 1927 wedding to Douglas Howard in Nova Scotia, Canada. Her homemade dress has now yellowed and the silk is shattered and given its poor condition the dress is an unlikely candidate for acceptance into a museum or study collection. This object biography probes the thingly presence of Wilkie's wedding dress as an object and as the source of creative inspiration for the drawings of artist Sarah Casey that became the focus of a 2019 exhibition at Ryerson University in Toronto.

Author Biography

Ingrid E. Mida, Ryerson University

Dr. Ingrid E. Mida (PhD Art History & Visual Culture) is an art historian and Research Fellow at the Modern Literature and Culture Research Centre at Ryerson University in Toronto. She formerly worked as a fashion curator and has published widely on the topic of object-based research, fashion in the museum, and drawing as a research method. She is the lead author of The Dress Detective: The Practical Guide to Object-based Research in Fashion (Bloomsbury 2015) as well as the forthcoming Reading Fashion in Art (Bloomsbury 2020).

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Published

11/29/2019

How to Cite

Mida, I. E. (2019). On Objects and Things: The Wilkie Wedding Dress and the Drawings of Sarah Casey. Museum & Society, 17(3), 295–300. https://doi.org/10.29311/mas.v17i3.3213